Many beginning writers love the twist ending. Many writing teachers hate it. What if there were a better way to use the twist, one that would open up a story instead of closing it down? We'll consider some of the ways this might be accomplished.
This class will look at the way seemingly small and mundane details—like what your character eats for breakfast—can make the world of your story feel fuller, richer, and more lived-in.
GOOD BAD GUYS: THE PSYCHOGEOGRAPHY OF CRIME FICTION WITH GABINO IGLESIAS
1:00 — 2:00 P.M. CST
In this session we will shatter preconceived notions about crime and criminals and move away from formulaic storytelling and character tropes by exploring the role of geography, culture, and socioeconomic status as well as understanding the lasting psychological impact of poverty, colonialism, and gentrification.
Join five time Bram Stoker Award winner Lucy A. Snyder for a discussion of horror and its subgenres. The session will feature exercises on creating an atmosphere of dread and a discussion of current markets.
Dialogue is so much more than the words on the page. Some of the most important elements are what isn't said. Learn about how to infuse your dialogue with subtext.